She studied singing at the Janáček Academy of Performing Arts in Brno under the direction of Marta Beňačková. During her studies, she trained at Mozarteum in Salzburg with Prof. Marta Sharp. She received further education at the Conservatorio di Verona in Italy under Cristina Miatello, where she studied the interpretation of Italian and French Baroque music.
She has participated in interpreting courses led by GérardLesne, Mark Štryncl, Václav Luks, Joel Frederiksen, and Kateřina Kněžíková. She graduated from the Janáček Academy in the role of Susanna from Le Nozze di Figaro.
She has performed the role of Papagena, the First Lady, and Pamina from Zauberflöte as well as the role of Sleep Fairies from the opera Hansel und Gretel (E. Humperdinck), performed successfully on regular tours to Germany and Switzerland up until the present.
In the Český Krumlov Castle Theatre she appeared with the Hof-Musici ensemble in the modern world premieres of operas of A. Boroni and A. Gianettini. With the same ensemble she appeared in 2019 at Budapest Spring Festival in the oratorio Santa Cecilia of A. Draghi.
She focuses primarily on concert performances throughout the Czech Republic and abroad, also performing in solo recitals accompanied by lute (17^th-18^th century music) and harp (19^th-20^th century music).
She regularly collaborates with the ensembles Musica Florea and Hof-Musici as a soloist. Her primary domains include a colorful array in the music of W. A. Mozart, G. Rossini, and song writing across the centuries.

She studied vocal technique with Pavla Zumrová and historically informed performance of early music with Irena Troupová (Academy of Early Music, Brno). She attended masterclasses with Emma Kirkby (Dartington International Summer School 2015), Chantal Santon Jeffery, Deda Cristina Colonna (Akademie Versailles 2018), Markéta Cukrová or Lorenzo Charoy (International Summer School of Early Music Valtice 2015).
She is the finalist of 7th Renata Tebaldi International Voice Competition 2017 (San Marino). She was awarded honorary mention at International Singing Competition Iuventus Canti 2017 (Vráble, Slovakia), in 2016 she won 1st prize at International Opera Competition Pražský pěvec (National Theatre, Prague).
She studied Musicology at Charles University in Prague (with focus on music of 17th and 18th century and cultural analysis of music) and violin at Jan Deyl Conservatory Prague.
Since 2017 she has performed Mrs. Quickly (G. Verdi: Falstaff), Rooster (L. Janáček: The Little Vixen) and Háta (B. Smetana: The Bartered Bride) in Silesian Theatre Opava. In National Moravian-Silesian Theatre Ostrava she performed La Zia Principessa and Zita (G. Puccini: Il Trittico) and Old Slovak Lady (L. Janáček: Fatum).
In 2019 she performed Ascalax (G. Ph. Telemann: Orfeo) at Vadstena, Sweden. At Olomouc Baroque Festivities she appeared as La Gloria (A. Vivaldi: La Gloria e Imeneo, 2018) and Giove (K. Ditters von Dittersdorf: Il Tribunale di Giove, 2019). In 2015 she performed Mrs. Baggot (B. Britten: The Little Sweep) at Theatro Verdi, Trieste.
She regularly sings with baroque ensembles Collegium 1704, Czech Ensemble Baroque, Hof-Musici and Ensemble Damian. In 2019 she performed Pergolesi’s Stabat Mater with Ensemble Tourbillon, Petr Wagner and Hana Blažíková at Oude Muziek Festival Utrecht.
She cooperated with conductors including Marek Šedivý, Vojtěch Spurný, Jakub Klecker, Tomáš Brauner, Andreas Edlund, Roman Válek, Ondřej Macek, Chuhei Iwasaki and Valentina Shuklina.

She received her first music education at the internationally acclaimed Bambini di Praga Children’s Choir.
After studying singing at the Jan Deyl Conservatory in Prague, she continued her studies at the Conservatory in Pardubice under Prof. Daniela Šimůnková-Štěpánová. In 2011, she finished her education with a master’s degree at Nuremberg University under Prof. Dr. Jan Hammar.
She has attended master courses under Brigitte Fassbaender, Margaret Baker-Genovese, Elisabeth Scholl, Andrey Kucharsky, Joel Frederikssen, Rudolf Piernay, and others.
Her concert activities primarily involve the interpretation of Baroque music and have led her to the leading European festivals of early music in France, Belgium, the Netherlands, Hungary, Poland, and Japan. She has collaborated with the Czech ensembles Collegium Vocale 1704, Ensemble Inégal, Ensemble Mathesius, and the Hungarian Aura Musicale.
She performed many opera roles, especially on the stages of Germany, including the roles of Lauretta (Gianni Schichi), Dvořák’s Rusalka, Alice Ford (Falstaff), the Contessa (Le Nozze di Figaro), and Elisetta (Il Matrimonio Segreto). In 2005 she was a guest at the festival “Éclat de voix”.
In 2007, she sang the title role in the Baroque opera of Reinhard Keiser Fredegund in Munich and Bayreuth under the baton of Christopher Hammer, for which she was nominated in the category “Fledgling Artist of the Year” by the renowned magazine „Opernwelt“. The recording of this opera was published in 2009 by the Naxos Publishing House.
She also focuses on Baroque opera in Bohemia as well – in 2016 she performed the role of Giunone in La Semele by J. A. Hasse with Ensemble Damian under the direction of Tomáš Hanzlík and with the Hof-Musici ensemble playing the role of Tigellino in the modern world premiere of A. Gianettini’s L’Ingresso alla Gioventù di Claudio Nerone.
She has won numerous awards in international competitions and received a scholarship from the Wagner Association and the Deutsche Bühnenverein.

A native of Šumperk, she began her musical career in the Šumperk children’s choir.
In 1996–1998 she studied at the Conservatory in Brno and from 1999–2003 was a student of the Prague Conservatory, where she graduated in 2003 under Prof. Jarmila Krásová.
She has attended master classes led by Tom Krause, Peter Dvorsky, Magdalena Blahušiaková, Jiří Kotouč, Nikolaus Hillebrand, and Joan Metelli.
She has performed at the Municipal Theatre in Karlovy Vary (Orlofsky, Cherubino). During the festival Pounding on the Iron Curtain 2006 she appeared in the title role of the modern opera Beng! by Jiří Doubek in the Estates Theatre in Prague.
Her primary focus is on concert activities, collaboration with Czech symphony and chamber orchestras (Karlovy Vary Symphony Orchestra, Prague Chamber Philharmonic Orchestra, the Chamber Orchestra of Czech Radio, Chamber Orchestra Filokalia, Czech Collegium, etc.).
She is involved in presenting the works of contemporary composers, and she records for Czech Radio.
In 2003, she participated in the International Singing Competition of Antonín Dvořák, where she was awarded by the Municipal Theatre in Karlovy Vary.
She is intensely devoted to the interpretation of Baroque music. Since 2008, she has been a soloist in the Hof-Musici Baroque ensemble, with whom she has performed a variety of roles in modern world premieres of Baroque operas (J. A. Hasse, A. Vivaldi, N. Porpora, G. Porsile, etc.). Together with the ensemble Hof-Musici, she performs in festivals in the Czech Republic and abroad, including at the Galuppi Festival in Venice, Varaždin Baroque Evenings (Croatia), Sonntagskonzerte im Liechtensteinmuseum Wien, the Handel Festival Japan in Tokyo, etc.

Graduate of the Academy of Performing Arts in Prague (2003), 2nd prize laureate in the younger category of the Emmy Destinn International Song Contest (2001, 1st prize was not awarded).
Devotes particular attention to the interpretation of music of the 17th and 18th centuries, is a member of baroque ensembles Capella Regia and Hof-Musici, collaborates with many others, such as Harmonia delectabilis and Musica Florea.
Performs at music festivals in Poland, Germany, France, Italy and Spain. In addition to concert activities, he has performed as a soloist at the National Theatre in Prague, the National Moravian-Silesian Theatre in Ostrava, and the Piccola Opera in Vienna.
He has performed numerous roles with Hof-Musici ensemble in the modern world premieres of Baroque operas and oratorios of J. A. Hasse, G. Porsile, A. Boroni, A. Caldara, G. B. Martini and A. Gianettini.
With the same ensemble he appeared in 2019 at Budapest Spring Festival in the oratorio Santa Cecilia of A. Draghi. He is currently a member of ensemble Tichá opera and the the international opera company Sonori ensemble.

She studied singing at the conservatorium in Teplice, then continued studying theory and performance practice of early music in Prague.During her studies she began to cooperate with the Baroque ensemble Cappella Accademica as a singer.
Since 1996 she has been interested in Baroque stage movements and gestures, based on the study of period materials. She extended her knowledge at specialised master courses in Germany (Internationale Händel-Akademie Karlsruhe).
She cooperates with the Hof-Musici Baroque ensemble as stage director of the staged performances of Baroque operas in the preserved historic theatres in the Czech Republic as well as at prestigious Czech and foreign festivals (Prague Spring, Smetana’s Litomyšl, Internationale Händel-Festspiele Göttingen or International Haydn Festival in Hungarian Castle Eszterháza, Festival Galuppi in Venice, Handel Festival Japan in Tokyo).

She specializes in the interpretation and performance of early music on period instruments. She studied Baroque violin performance at the Akademii Muzycznej in Krakow under Zygmunt Kaczmarski and at the Conservatoire Royal de Musique in Brussels in the class of Sigiswald and Sara Kuijken.
She also participated in master classes focusing on the practice of early music, led by world-renowned specialists such as Monika Toth, Enrico Onofri, Olivia Centurioni, Ryo Terakado, Marinette Troost, Jacques Ogg, Paolo Pandolfo, Kenneth Weiss, Simon Standeage, and others.
She is the co-founder of the ensemble Silva Rerum Arte and the Silva Rerum Foundation, which organizes a series of concert and educational cycles in Gdańsk in collaboration with prominent 17th and 18th century performing musicians from Poland and throughout Europe.
She collaborates as a chamber and orchestral performer with many renowned ensembles in Europe and around the world, including Il Gardellino (Belgium), Il Fondamento (Belgium), Le Concert d’Anwers (Belgium), Collegium 1704 (Czech Republic), Hof-Musici (Czech Republic), Musica Perduta (Italy), La Grande Chapelle (Spain), Miszla Baroque Orchestra (Hungary), Neue Hofkapelle Graz (Austria), Jardin de voix (Belgium), Ex Tempore (Belgium), and Mannheimer Hofkapelle (Germany).
She has recorded for the recording companies Accent, Brilliant Classic, Soliton, and others.
Since 2014, she has lectured at the Stanisław Moniuszko Music Academy in Gdańsk. She also teaches Baroque violin, violin, and chamber performance at master courses.

Born in 1971 in Prague, he received private lessons in childhood in piano and composition under Prof. František Kovaříček. He studied harpsichord and basso continuo under the Israeli herpsichordist Shalev Ad-El.
As a continuo player he was engaged at early music festivals in France (Printemps des Arts in Nantes, Recontre Musical at the Villarceux chateau near Paris) and Germany (Internationale Händel-Akademie in Karlsruhe).
At Prague´s Charles University he studied musicology then continued his studies at Masaryk University in Brno.
In 1991 he founded the ensemble Cappella Accademica (today Hof-Musici), which he still leads today.
In 1996 – 1999 he taught continuo playing and chamber music at the Academy of Early Music at Masaryk University in Brno, and in 2008 – 2011 he led courses of Baroque music at the Church Conservatory in Opava.
Since 1997, he has worked at the Český Krumlov Castle where he collaborates with the Baroque Theatre Foundation in researching in the field of Baroque opera interpretation.